From the Flatmancrooked Winter 09/10 Poet-In-Residence, Eleni Sikelianos, comes selected poems, chosen by the poet from her body of work. These posts will appear every Sunday for the next ten weeks, after which a new Poet-In-Residence will be introduced and his or her work featured. This number 9 of 10. The poems featured in previous weeks can be found here: Week 1, Week 2, Week 3, Week 4, Week 5, Week 6, Week 7, Week 8

4th Hour & Residue

click to enlarge

Language hangs from the hour in crystalline repose

to set it in motion must we

Its stalk is feathered & gay

I saw this hour before it arrived shoeless speechless helpless

medusa dripping poison A’s     each B a sting a stamp because

daylight savings saddens the ghost

it’s amazing how hungry an hour can be     Hand me something

to pillow the hour, protect it     from its own devouring minutes

I had to do things with this hour I would never have wished

In the hour’s-heart’s garden of earthly delights

A minute sitting waiting on a rock with gnashing teeth

The human drips from herself where she hangs in time her

minutes are bleeding      her bream      this broken-mouthed minute

as if the minute      as if the minute

broken-mouthed machine

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The following is an excerpt from Daniel Grandbois’ The Hermaphrodite: An Hallucinated Memoir, Green Integer, 2010.

SIMONE’S surrender commingled with the cotton fibers of her panties, staining them with fertility icons and incomprehensible crystalline formations like snow. Oceans can be drawn into glaciers to reveal connections between lands.

Kree lifted her hips and pushed her dress beneath them. When he forced his breath through her panties, something tickled in her, but it seemed bodies away, dinosaur bodies away. The sort of tickling you can never get enough of, yet, if you did, you’d be crushed under the weight of dinosaurs.

He rested his head against her thigh. The nest of her pubic hair showed through her panties. A single hair poked out. Kree toyed with it, then traced the contours of her sex, which gave off heat. He snuck a finger under the fabric.

Simone got an ice cube from the freezer, popped it into her mouth and calved it down.

(Do you see Australopithecus, the first upright man, beating back an advancing glacier with the thighbone of a saber-toothed cat? Or, such a cat burying its tooth bones into the head of such a man and dragging him to a cave, dragging him by the bone? Millions of years later, a Homo sapiens will find the skull with holes in it like a bowling ball and imagine.)

Simone leaned over Kree and put his bone in her mouth.

(In his lifetime, Kree’s balls may produce enough semen to fill an oil tanker. How gung-ho would the American government be to protect a ship like that through the Straits of Hormuz? And what if an enemy blew a hole in her? We could have an unprecedented semen spillage in the Straits of Hormuz. Would it be toxic to the fish and plant life? Maybe the little sperm cells would swim around and fertilize everything in sight. Would the spillage remain a roving blob, or would it solidify to form a new island, a vacation paradise with milk-white beaches, where deluded Christian women could go and upon their return claim they were bearing the children of immaculate conceptions?)

“I’m thinking about our perceptual isolation,” Kree said. “People hear one another as they hear kelp growing in the ocean—”

Simone touched his lips. As if riding a frog’s curled tongue, words sprang from her mouth to catch the flies buzzing in Kree’s ear and give him a wet-willy besides.

He rolled to his side. She hugged him from behind. Her eyelids dripped down her eyes like wax down a candle. She took hold of his penis as she was falling asleep, as if it were the handle on the door to her dreams.

THEY walked to Pearl Street, Boulder’s pedestrian mall, where grew the happy hair of hippies, granolas and deadheads; where foot bags were knee’d and ankle’d to noodling jam music blasting from portable stereos; where jugglers punned and passed the hat; yogis folded themselves into Plexiglas boxes; and mediums mediated via crystals, coins, and cards. Businesspeople and tourists were most numerous, but they didn’t own the place. Members of a makeshift band on the courthouse lawn fiddled with pawnshop guitars and mandolins or beat on bongos or congas, once in a while hitting on a song they all knew. Neil Young’s, “Cortez the Killer,” sputtered to life like Frankenstein’s monster and bade Kree to sit in the grass and close his eyes. He heard his father’s voice guiding him through the desert. As for Simone, the song made a tear evacuate one of her ducts. Pierced by the hot rays of noon, which danced like toothpick puppets on her half-closed lashes, the tear vanished down her cheek.

Later, saying little, Simone and Kree strolled past cartoonish storefronts; hammock, kite and incense shops; art galleries; bookstores; carts studded with handmade jewelry or smothered in floppy hats; and children climbing statues of toads. A four-year-old skipped ahead of her parents, her gait flirting innocently with gravity. Gravity lost control and sent its semen reeling, impregnating the girl’s gait. She fell to the street and scraped her knees. Two fat squirrels chased each other around the limbs of an oak. One kept trying to fuck the other. A cat watched from below with feigned disinterest. A common fly flew by. Simone pinched it. Boulder’s bugs will let you do that. They’ll turn the other cheek if you swat. They’re rag dolls, living beyond the confines of their bodies, beyond the panic of corporeal death.

Simone and Kree sat on a bench. Before them, a man with a saxophone, looking like a sack of dirt on his folding chair, his bald head absorbing the day’s last light. He didn’t care much for finishing songs. He blew a few lines and then stopped and looked around, occasionally nodding to a passerby.

Her head on Kree’s shoulders, Simone imagined preparing a mold from his nose and using it to shape candles.

SIMONE and Kree on a grassy slope, his hand under her blouse. Her nipple hardened at the speed of trees—sentimental sapling to resolute oak. Truth hitched a ride on the transformation.

“Where am I?” Simone asked.

“Where you’ve always been.”

“Good. That’s where I’ll stay. And where are you?”

“Here,” said Kree, “but I’m going.”

His fingers on her breast brought out his sun. It revolved in him now like a slow-turning whale, one caught, perhaps, in a web of golden rope.

Simone pressed him close, wanting her skin to be smothered in Kree. She was new at saying good-bye.

Spinning toward oblivion, Kree forgot his own name. He withdrew from her arms like a ghost.

Simone got up and walked away, a thick honey-tear pushing out of her duct all the Kree that had coursed through her veins.

By Daniel Grandbois

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Round and round again; the Piper felt his tired old muscles twitch. One more job to winch him back from the edge of endless sleep. And this job, they promised, would be easy, and he was grateful, but right now his fingers clicked on the steering wheel and he frowned at the dusty windscreen. He was lost, and roundabouts frustrated him. He circled slowly, roads and lights and indecipherable signposts peeling steadily away into the night. Rain began to fall; the windscreen smeared and the road dissolved before him in a glassy wet mess. Horns blared. The map gaped stupidly at him from the passenger seat. The Piper swore and swung the car out onto the next exit. One more job, and it was already giving him a headache.

In the hotel at last, exhausted and sweaty, he sat on the edge of his narrow bed and watched the steam from the kettle unwind. The television babbled to itself, and the window was sealed shut so that the moisture hung in a fug above his head. The Piper cracked his bony knuckles. His fingers, crooked and aching, were swollen with age and disuse. He peered at his reflection in the fogged-up chrome of the kettle. His skull pushed outwards, shedding hair, flaking skin, and his eyes and ears no longer worked well as he expected. He squinted. His eyes were sunken, veined, dilated. His nose hooked over his mouth like a claw, and his teeth had grown long, chipped, ruined, furred like ill-tended gravestones. His body tricked him into errors and stumbles. He was tired; so tired. He soaked his bones in the bathtub. The job, again, would remake him, wake him, untwist his creaking limbs and clear his clouded vision. He held the contract up to the flickering light and frowned at the tiny print until he fell asleep in the swell of lukewarm water, and the papers dropped from his limp fingers and fell into the bath, where the tight black words unwound and dissolved in the grey suds. His hollow and pale chest rose and fell to the uneven beat of his dreams.

Ten; that was the agreement. Ten was manageable, and the first, at least, was easy. He stood on the steps outside the hotel and polished his old pipe as he watched the traffic pass. The hard caress of his threadbare cloak unveiled the old sheen; the ebony shone with a soft glow in the morning light, born again in his calloused hand, and he smiled. He followed the slow line of yellow buses crawling and jerking their way through the bumpy streets, and waited outside a school, whistling softly to himself, coughing, touching dry lips with a dry tongue, nervous as a debutante. He thought, this is ridiculous. I’m ridiculous. He almost left. But when the first bus disgorged its wriggling cargo, he was ready: he played his song, the old chorus, trickier now, his lungs stretching and wrenching to reach the melody, the notes that trickled first and then poured out in the haunting refrain of the hunt, the ballad of a bird of prey, circling, tempting, baiting – and sweet – so sweet – though not as sweet, he thought, as it once had been. A single child, a little girl, detached herself unnoticed from the twisting mess of her classmates. She came to stand by his side, staring up at him, her eyes already wide and glazed, her mouth slack and slightly drooling. He mopped her up with a corner of his cloak and took her by the hand. They walked away, her short skips beating out a counterpoint to his slow, creaking stride.

The girl sat on the edge of the mattress and watched the television as he made up a bed for himself on the floor. Her expression didn’t change as he carefully swung her dangling legs up onto the bed and laid her back onto the pillows. He pulled the covers over her and tucked them in tight. When he bent his head low to murmur an awkward good-night, he could hear her humming his song, her voice almost imperceptible and completely off-key. Later, awake and uncomfortable on the floor, he listened to her breathe. She was too close, too near; it unsettled him. He pictured her future: bundled into a van, a stifling factory line, begging on a street-corner, strapped to a bed in a strange place, humming to herself as the men lined up. Feeling suddenly sick, he clenched his fists and forced himself to breathe deeply. It never used to be like this, he thought; it used to be easy, it used to be fast. The children were disposable, like the rats; he handed them on, he grew stronger, he sidestepped death and laughed. There was never space for imagination. What was this? These pictures – he would almost prefer the darkness. The night dragged on, and still unable to sleep, he traced out oceans and lost continents on the water-stained ceiling.

The second, third, and fourth came together as he bent his mind to the task – three siblings, twin boys, redheads, and their older, blonder, sister, skipping out the sliding doors of the supermarket to follow the Piper across the vast car park, while their mother queued up for breakfast cereals and orange squash. A bored lollipop lady waved them across the street. The fifth was a stray, collected from a cardboard encampment in an underpass, stinking of neglect and sticky with dirt and stale urine. The sixth was an infant, mewling, lifted from an unattended pram outside a shoe-store in a shopping mall. It smelt fresh, the way milk used to, creamy and frothy in the early-morning farmyard, and the Piper inhaled hungrily before tucking the child away in the folds of his cloak. But that was lazy, he chided himself, half-hearted; he hadn’t even used his song. He felt himself slipping, uncaring, and his head ached as he ticked the numbers off his list. One more job, he muttered, four to go.

The seventh and eighth ran out of church on a Sunday morning, giddy with rebellion, howling freedom at the empty skies, and were caught up by the Piper’s tune before their feet hit the pavement at the bottom of the church steps. The ninth was the flautist in a youth orchestra. The Piper listened to her practice, her narrow face concentrating on her instrument as she waited in an empty car park for her parents to come and get her. He wondered if he looked like that when he played, the passion and the focus, the beauty of the song expressed as a light in the eyes. He doubted it. He felt a deadened heaviness in his playing; a falling and a longing that wished only to put an end to the whole adventure. He thought about this child chained to the first, silent, bruised and bleeding, and he pushed the thought away. He brought the girl home and sat her with the others, placed the baby in her arms, lined them up on the side of the bed. The children’s shoulders slouched forward as they all stared at him, even the baby, its depthless eyes floating back and forth, following him as he moved about the room. The twins, in particular, he found disturbing, one deadened face echoing the other.

The room seemed to shrink to fit its occupants; the air grew stale; it smelled. The children sat wedged against one another and lay head to toe at night, pinned to the narrow bed with taut sheets. The Piper recoiled from bathing them, although they could do with a wash; when he accidentally touched their skin, it was tacky. He shuffled past them awkwardly to reach the door. Nine pairs of eyes tracked him constantly. Three times a day he fed them tinned food with a teaspoon, unable to escort this unconventional family to the hotel restaurant or a public diner. The television gabbled hysteria and panic; parents begged for answers in the newspapers; the flautist’s face peered down at him from flyers taped to lampposts and shop windows. His car radio recited lists of the missing children in a tinny voice until he switched it off. He didn’t need the names; at night he heard echoes of old screaming mobs, mothers baying for revenge, torches crackling in the darkness. His own ancient laughter. He lay there, breathless, and waited for his pounding heart to slow or stop. Outdoors, he wore his hat pulled low over his ruined face; in the hotel, he began to eat his meals sitting on the toilet. The children brushed against his legs if he stood in the bedroom.

The tenth one, the final one, he found at a playground. This was two weeks into the job, and he had barely slept. The balding grass and rusty swings filled him with a melancholy that made his bones ache harder than before. The children playing here were raucous; a smaller boy edged towards the swings and the others swarmed around him. The Piper, his song snatched away by the wind, stepped closer. The children pushed the boy and knocked him to the ground. The Piper felt their blows like wallops of freezing water slamming into his chest. He breathed hard as they punched and kicked the child, ripped his clothes, spat on him. He felt weak with the aftermath of a ferocious excitement as they retreated, leaving the boy bleeding and still in the slanted shadow of the swings. His body screamed for release; his mind, his resolve, wavered and faded. He blasted hard on his pipe and one of the attackers stopped, turned and walked slowly, deliberately, towards him. The boy’s face didn’t change, he didn’t go limp; the music died and he moved closer, frowning, his fists clenched. The Piper almost stepped backwards in sudden fear, but held his ground and waited. He saw the row of mindless ghosts on his rented bed, waiting to be bought and used and tossed away. He saw the girl’s flute, dirty and abandoned in the car park, the baby’s empty pram, the frantic mother of the twins and their sister, as sleepless now at night as the Piper himself, and he saw a faint, endless queue of children stretching across time, feeding some vast hunger in the sewers of the world, and feeding his own awful existence, again and again and again. He stared past the advancing youth to the limp boy on the ground, red blood staining his blonde hair, and as the older boy reached him, the Piper dropped his pipe and waited for the blow, offering himself up, exhausted, finished, ready. But the blow didn’t come. He opened his eyes and saw the boy standing there, less than a foot away, limp as the others, a vacant smile painting his lips, and the Piper howled, a desperate, miserable scream of frustration.

And now, while the children’s pleading images stared out from the muted television, he lined them up and smoothed them down. He combed their hair and tied their shoelaces. They raised their feet for him, lifelessly, like huge marionettes. He stood before them and played them one last tune; their cheeks flushed to sudden colour and some of them hummed along. The flautist whistled softly. The baby raised its arms and gurgled. The Piper felt lighter, almost buoyant, and the steady ache that thumped through his old body hovered on the edge of lifting. He could leave this moment – walk away, fade into quiet nothingness, let it end, leave these children behind. But when he lowered the pipe, and they sank back into blank lethargy, their eyes distant and empty, he sighed.

He herded them outside and down the street, moving quickly, afraid of attracting attention, hustling them around the corner into the alleyway where the buyers waited. His contact, ancient as the Piper himself, tall and lean and dark-eyed, watched as the hired men, smoking and grumbling, loaded the children into a truck. The baby was swaddled in a pillowcase and wedged for convenience into a drawer the Piper had taken from the hotel-room dresser. The children sat cross-legged in the windowless lorry and didn’t react when he climbed in and crouched before them and told them goodbye. He hovered for a moment, reluctant to touch them, but longing all the same to press them to his chest and to receive, somehow, a sense of grace, a transference of innocence, a blankness that would pass from them to him, a deep white fathomless release. The children didn’t respond, and he felt foolish, a stupid old fool, out of place and out of time. The buyers yelled at him to hurry the hell up, and he climbed out. The men slammed the door shut. His contact held out the final contract, his eyes narrowing on the slight tremble in the Piper’s fingers as he paused before signing. The Piper’s heart shuddered in his chest, and as the truck’s engine throbbed, he swayed and the world swam into brief darkness as pain sang through his chest. Sign, somebody said in a cold voice, sign, and gasping for breath, and with numb fingers, he scrawled his mark on the paper.

As the truck rumbled away, he leaned against a wall and rubbed his eyes. His body felt better already. Blood pounded through his loosening limbs and his skin tingled. An alley-cat twined itself against his legs, and he reached down to pet it, but it hissed and spat and darted away. He wiped his hands on his cloak, and withdrew his pipe. He fondled it for a moment, and then held it with both hands over his knee as if to snap it. He stood like that for a long moment, barely breathing, not blinking, and then he straightened, licked his lips and pocketed the pipe. Knotting his cloak tightly around him, he walked away, tall and smooth-skinned, his long fingers flexing in the breeze, the cold air running through them like fresh clear water.

by Valerie O’Riordan

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The criminal sat in his hideout holding the remote to the doomsday device that he had placed atop the capitol building in Albany, New York. He waited for the police sergeant.

***

The police sergeant sat at his desk at home. He was scheduled to arrive at the criminal’s hideout momentarily, but his departure had been delayed by an idea for a poem.

***

The damsel sat atop the capitol building, strapped to the doomsday device for effect. She looked out over the city and, cracking her knuckles through her white silk gloves, wondered why it had to be Albany, New York.

***

The police sergeant finished his poem. It set out attempting to justify existence, failed at its attempt, and, in failing, succeeded. It was called “How I Lose” and successfully used a metaphor that compared the inevitable march towards death to gardening, a feat considered impressive in most literary circles, or so the sergeant was told by his neighbor, who happened to be a literary agent.

***

The criminal was upset with the sergeant’s lateness. He grew bored. There were many cabinets in the hideout, but the criminal, checking them one at a time, found only a chess set. Unfamiliar with the game, he read the rules, set up the pieces and began to play against himself.

***

The damsel received an unprecedented two superlatives in high school – most imaginative and most helplessly beautiful. Since the latter had caused her to be chosen as the damsel in the current situation, she decided to use the former to occupy her time.

***

The sergeant went with his neighbor to the literary agency. His neighbor asked him how many poems he could write before the end of the day. The sergeant thought twenty-seven. The agent gave him a notepad and a pen.

***

The damsel analyzed the city in front of her. She decided what she liked and what she did not like. Then she began to plan her own city. It would be where Minneapolis was if Minneapolis wasn’t there.

***

The criminal rapidly increased his chess ability. He began setting up one side with a clear advantage so that he might try to beat it with the other. He played without a queen. He played with only a king and a pawn. Each time, the disadvantaged side won with ease.

***

The police sergeant finished his book of poems in two and a half days. It debuted to rave reviews. He went on tour, reading at coffee houses and bookstores. He received honorary degrees. During an interview, a prominent columnist in Kansas City, Missouri asked him if, with his supreme grasp of the conceptual, he would ever consider working in the visual arts.

***

The damsel decided that, in her city, all of the buildings would be tall and cylindrical. On the roof of each would be a bonfire pit to host community gatherings. She knew that, with such architecture, the metropolis would inevitably gain the nickname of Cigarette City.

***

The criminal left his hideout with the remote to the doomsday device in his hand. He found the nearest chess tournament, registered and swiftly defeated all of his opponents. The tournament officials placed him under investigation for cheating. He could not receive his trophy or his prize money for quite some time. The criminal only considered this a testament to his colossal skill.

***

The police sergeant decided on installation art as his genre. He exhibited his first piece in a gallery in Cleveland, Ohio. It appeared to be a crime scene surrounded by caution tape. The chalk outline of a body had been drawn on the ground. In the center of a room stood a mannequin wearing a rainbow-colored clown wig and red plush clown nose. Those in attendance were invited to put on the wig and the nose as they walked around the scene. It was called “The Police Life.”

***

The damsel imagined herself as the beautiful mayor of Cigarette City. She imagined that all of the citizens would be upset that someone had strapped their beautiful mayor to a doomsday device atop of the capitol building in Albany, New York. They preferred her at home making new laws and being nice to look at. Local government officials held an important meeting around the bonfire on top of City Hall and made a decision: the beautiful mayor must be rescued. Only one man in Cigarette City could do the job. That man was the handsome pilot.

***

The criminal began appearing in the media. At first, he only graced the pages of chess-related periodicals, but after some time he began showing up in more mainstream publications. Photographers snapped pictures of him standing next to celebrities and supermodels. Readers always wondered what he was holding.

***

The police sergeant showed in several other galleries around the country. He filled the art and culture section of most newspapers. All praised him, except for the editor of the King City Gazette of King City, California, who found the police sergeant’s popularity to be shallow and faddish. The police sergeant worked his connections in both the justice system and art world. In mere hours, the Gazette disappeared from newsstands altogether.

***

The criminal signed an endorsement deal with a calculator company. He appeared on billboards sitting in a restaurant with an attractive woman. She looked worried while he calmly worked something out on a pocket-sized calculator. The caption said, even chess geniuses need help figuring out the tip sometimes. Next to the criminal’s plate sat the remote to the doomsday device. People just assumed it was another calculator.

***

The editor of the King City Gazette sought to avenge the death of his publication. He saddled up a horse, grabbed his six-shooter and began riding across the country.

***

The damsel imagined the handsome pilot as a well-built man with a giant, attractive chin. He wore a black leather jacket with white wool around the collar, a brown leather cap with straps dangling down, goggles on his forehead, and a red-and-white striped scarf. He lived in a blimp over Cigarette City. He accepted the mission to save the beautiful mayor without hesitation and parachuted down to the airstrip where his famous biplane waited in storage.

***

The police sergeant continued to wear his police uniform, even when attending gallery openings or lectures. Young artists took this as a statement and followed his lead. Classes at the country’s leading art schools appeared to be filled with crossing guards, firemen, meter maids, FBI agents and the occasional Indian chief.

***

The editor of the King City Gazette stopped at a hotel in Colby, Kansas. The hotel clerk asked him where he was going on a horse with a six-shooter. His response was of such a nature that the hotel clerk recorded it on a piece of scrap paper for inclusion in the cowboy novel he had been working on for the last half-decade.

***

The damsel sat wide-awake with her eyes closed. They were shut tight, causing creases to emanate out towards her nose, cheeks and eyebrows. Her white silk gloves were constant fists of concentration. She thought about nothing but the handsome pilot and Cigarette City. The gaps in her imagination became fewer and farther between. She imagined hard and she imagined all day.

***

The criminal stared at the remote to the doomsday device, perplexed. He remembered nothing about it except that he should not press the red button in the center.

***

The editor of the King City Gazette sat in a diner outside of Eerie, Pennsylvania. He waited for his lunch and read the newspaper. The cover story was about strange reports that were coming in from Minneapolis. Things looked different there. It was still a city, but the citizens didn’t feel like they could call it Minneapolis anymore.

***

The police sergeant spotted what he assumed to be a new gallery. Everyone going in and out wore police uniforms. He entered only to find it was the police station. The officers asked when he would be finished with his case. What case? the police sergeant wondered.

***

The beautiful mayor opened her eyes. She was finished imagining.

***

The criminal met with the chess club of an elite private school. They asked him questions about chess and supermodels. One boy asked him when he started playing. The criminal said it all began when he tried to destroy the world, or at least Albany, New York. This answer surprised everyone, even the criminal. He looked at the doomsday device in his hand and politely excused himself from the room.

***

The editor of the King City Gazette sat atop his horse in the street, waiting. He drew his pistol and fired at the police sergeant, who ran full speed up the street in the direction of the Capitol Building.  He fired a second shot at the police sergeant. He fired three, four, five, six times at the police sergeant. Each shot missed. He was only a newspaper editor.

***

The criminal arrived in front of the Capitol Building at the same time as the police sergeant, coming from the opposite direction. The editor of the Gazette followed behind on a horse with a pen and paper in hand. The police sergeant reached for his badge. The criminal moved his finger dramatically towards the red button. The editor of the Gazette readied his pen to record the happenings. Nobody noticed the biplane as it flew into the sunset, a white silk hand reaching out to wave good-bye.

by Sean Adams

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From the Flatmancrooked Winter 09/10 Poet-In-Residence, Eleni Sikelianos, comes selected poems, chosen by the poet from her body of work. These posts will appear every Sunday for the next ten weeks, after which a new Poet-In-Residence will be introduced and his or her work featured. This number 7 of 10. The poems featured in previous weeks can be found here: Week 1, Week 2, Week 3, Week 4, Week 5, Week 6, Week 7

From The California Poem

(Hollywood, La Brea)
(Man moves in; animals

and plants move out)

Ages-extinct fires near tiny dragon-headed lakes
Chewing the fat fire-side & touching up a wooly mammoth, mastodon,
mini-horses, chasing
ground sloths the size of tanks____Giant shining
armadillo roll over ____(silver wheels crushing tender grasses)
Edentata belonging to the (inhabited) Earth, edacious at the tooth of Time
____nibbling some sweet thing, fiery
________Hymenoptera edulcorated by their history with men

Told jokes in the clean-flaked keen-flint
glowing coal ice-age night-wind
roared songs at hapless herbivores high moon near wet
meadow sedge

& cut across the cordilleras, rainwater sluicing down
mountainsides made whole new mesas, highlands thrown up

They made several suns & destroyed them
They made humans but destroyed them
They were looking for the right world
Was this the 5th California?
They let the demented Spanish invade, they kept
________the Spanish, kept
________the orange tree, abalone, they kept
Jayne Mansfield & destroyed her

They had no
star clock clucking
out the night hours

no way to track the ragged lights at the edges of towns

but the opossum god of all opossums
carrying corn in its pouch to feed peripheral citizens

& we could see
the parts inside the contours of the body

the dreams of liberation for yoginis of average capacities
the intricate irrigation canals covering Mars
the luminosity in the known moment before death
All that happened in the history books, all

the humans you’ve ever heard of or met
happened here, he said, pointing
to a little sandbox with a bone-tool, this
talking thinking meat, it
happened

on a wide & fat map
that encompassed California
where we dumped shit into the sea at West
or East, on this narrowing-in-the-middle map, belted
with cords dangling from Indiana, Ohio

I traveled here on a coal barge
in an earlier era with
winding roads through backwoods towns & canopies of trees

I sang their songs in night
cellars & concert taverns, every candyass
put-the-hawk-on-you in the shape
of Heaven & Hell, and other human capacities

I might find goccasion to
sing war & perfect soldiers\
the war that wages over the
face of the Earth, against
every edible turtle &
moveable tree, the tyranny
of money

From The California Poem, reprinted courtesy of Coffee House Press, 2004. This is from a mad endeavor, a 193-page poem (or series of poems) drawn from my childhood memories, researches into, and reinventions of present-day and historical California. A visit to the La Brea Tar Pits allows anyone to imagine Los Angeles gas it was between 10,000 and 40,000 years ago, during the last Ice Age when animals such as saber-toothed cats and enormous sloths and armadillos groamed the Los Angeles basin. In this section of the poem, all times are contemporaneous in the mind, as the opossum god \ a pouched creature with an endless supply of food who could feed forgotten citizens \ coexists with wooly mammoths and Hollywood. The quote in the last stanza is from Whitman.

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I don’t remember much of the blizzard itself. There wasn’t much to remember if you were safe inside. Mostly we watched TV. There were three sets in our house, one in the family room, one in my parent’s room and one in the kitchen. My father was a large man, rarely cold. He passed the time lying on his side in his underwear watching re-runs on the TV in his bedroom, while my mother stayed close to the warmth of the kitchen, her eyes glued to a black and white nine-inch set with butter-slick knobs and a coat hanger antenna. My sister and I fought over the TV in the family room. Olive wanted cartoons. I wanted soaps. We compromised on game shows. Tacky garbage, my mother called them, but I loved how shiny with possibility they were. I’d imagine I was the one on stage screaming my head off, winning an all expense paid cruise to someplace warm, someplace that had never seen snow.

Every few hours my father would wander downstairs to watch TV upright in his recliner. “Vamoose,” he’d grumble, and flick his hand at whichever one of us was sitting in his chair. Then he’d switch on the news, settle in with a glass of bourbon, and watch the local weatherman at his radar map that showed a blossom of white where our city had once been.

The sound of three blaring sets could not drown out the constant onslaught of wind, great shuddering gusts that raged for four days. On the fifth day we woke to a blue sky and a landscape of undulating white mounds. I looked out the living room window to see a herd of antelope wandering the empty street. When I yelled for my family to come see, the herd turned their heads with one fluid motion toward my voice. They spooked and were gone, leaving behind delicate puncture marks in the snow with their slender legs. The morning news reported how drifts had piled up against the fences at the zoo, allowing some animals to simply walk out of their enclosures. Bison, polar bears and wildebeests were loose in our city, roaming the streets and peering in windows. We were advised to stay inside, and by no means should we try to feed the animals.

In school we had learned that snowflakes were made up of crystals that formed around a bit of dirt, like how a pearl forms in an oyster. Except unlike pearls, snow was worthless. We were buried under five feet of the stuff. The president declared us a disaster, and the National Guard was dispatched to dig us out. I was certain we would all go insane, like snowbound pioneers forced to eat our shoes, then belts, and then each other. Except food wasn’t our problem. My mother chain-smoked and baked an endless supply of casseroles, cakes and cookies that no one ate. My father barely moved from the TV anymore except to go to the bathroom or to open another bottle of bourbon. He sat in his recliner, spinning the ice in his drink like he was opening a vortex in the palm of his hand. My sister and I were at each other’s throats. We kicked, bit, and drew blood.

“What the hell is wrong with you?” my mother demanded, her hair on end, her face streaked with flour like war paint. Olive was only eight and got away with murder. I was fourteen, and supposed to know better.

“You’re what’s wrong with me,” I screamed. “This whole family is what’s wrong with me.”

I was banished to my room for the rest of our internment.

Later that night I woke to voices coming from outside. I peered out the window to see Doug and Dave Pike, the twins from next door, trying to navigate the drifts that had piled up in their yard. They were a year older than I was and hated me. When we were younger, I used to beat them up. They had been the kind of kids you couldn’t help wanting to hit, pale and slender as ballerinas, always eating popsicles so that their mouths were permanently sticky and stained red.

Then all of a sudden they had identical growth spurts, as if synchronized alarm clocks had gone off inside each of them. They grew four inches in a matter of months and their voices deepened. I could no longer play rough with them. I could barely even look at them. I was what my mother called a late bloomer, not exactly ugly, but flat-chested and awkward, and I wore braces with little tan rubber bands that sometimes shot out of my mouth if I opened it too wide. I had nothing that could interest these boys.

There was movement at the bottom of the Pike’s driveway. Two figures were standing in the glow of the streetlamp. One of them motioned for the twins to hurry. I couldn’t see their faces, but I knew it had to be Ian and Carl. Ian was the leader of their group, always with his black clothes, and dyed-black hair teased into a smoky nimbus about his head. Of all of them, I liked Carl best.  He was shy and bookish, and wore horn-rimmed glasses that he was endlessly pushing up onto the bridge of his nose. The others were a cool, contained unit, but Carl lumbered along at his own pace, just outside their protective ring.

I slid from my bed and dressed in darkness. Downstairs my father was snoring in his recliner, his bare chest bathed in the blue glow of the TV. As I slipped outside, small cyclones of snow blew in around my feet and then settled like powdered sugar on the floor.

The boys were hatless and wore old man coats. They lurched along like giraffes, snow up to their knees, carrying bottles of they had stolen from their fathers’ liquor cabinets. The wind kicked up sheets of fine, gritty crystals that lashed at their faces. Snot froze as it ran from their noses and they wiped at it with their fingerless gloves. They ran down the street laughing, challenging the cold, letting it fill their mouths with the startling taste of winter.

I quickly lost sight of them, but from the direction of their tracks I knew they were headed for the park. I had followed them there before. In the summer they stole shopping carts from the local grocery store and raced them down the hills. Their lair was a cluster of maple trees. They were expert tree climbers and had strung lawn chairs up among the highest branches. Sometimes they spent the night up there, drinking and listening to grinding punk music on a cassette player. I was amazed that they never fell. In the morning, if you looked carefully, you could spot a foot or hand dangling high among the leaves like a ripe piece of fruit.

When I finally caught up with them, Ian was firing snowballs at the twins as they ran back and forth between two trees like shooting range ducks. Carl was standing off by himself. I hunched down and moved carefully from tree to tree, staying close to the shadows, just a dark smudge on the snow. I got near enough to Carl that I could hear him wheezing from the cold.

The other boys had stopped their game and were quietly building a stockpile of snowballs. Carl was too busy sipping from his bottle to notice.

“Hey Carl,” one of them called out, “come here.”

I wanted to warn him, but I didn’t dare. He swayed toward the sound of the voice and wandered right into their line of fire.

Doug and Dave attacked from behind, Ian from the front. A snowball struck Carl in the face. His head snapped back and his glasses flew off and sank into the deep snow. Blood poured from his nose. It looked black from where I stood.

He charged like a wounded bear, took a swing at Ian, missed, and tumbled facedown into a drift. When he tried to get up, one of the twins pushed him down while the other kicked snow over him until he vanished into the landscape. He lay there until they finally fell back, panting and swooning from their exertions. Then he rose up on his knees and shook the snow from his coat. Ian reached down to help him up, but Carl shoved him away and stood on his own. Without a word to any of them, he staggered toward the entrance of the park.

“Come on, don’t be such a pussy,” Ian called after him.

Carl gave him the finger and kept walking.

“Fuck him,” Ian said, and let out a crazy howl that echoed through the park. The twins walked up and stood beside him, but the mood had changed. They werestill and silent, gazing off in the direction their friend had gone.

By now I was frozen to the bone. I wanted to see if Carl would come back, but I didn’t think it was worth losing a finger or toe to frostbite. From where they stood, the boys had a perfect view of the path leading back to the park entrance. To avoid being spotted, I had to walk the long way around, and then up the hill that led out to the street.

The hill was a favorite spot for sledding, but no one had been there since the blizzard. It was smooth as milk. I ran up it as fast as I could go, kicking snow up around me. It felt good to ruin something so perfect. When I reached the top I heard someone cough. I turned to see Carl sitting on a bench, watching me. It looked like he had been crying. Blood still trickled from his nose. He sniffed and spat a bright red wad into the snow at his feet.

“I know you,” he said, squinting as I drew closer. Without his glasses his eyes looked small and vulnerable. “How do I know you?”

I was too surprised to speak. I didn’t think he had ever noticed me. He kept looking at me until his eyes drooped and then closed. His lashes were thick and black and dusted with frost. I took a deep breath and sat next to him. The air felt brittle, like it was made of tiny glass needles. I willed him to ask me my name, willed him to think I was pretty, willed him to fall in love with me.

Somehow he had managed to hold on to his bottle during the fight. He took a sip and then offered it to me. I had never tasted whiskey before. It was like drinking gasoline. It tore at my throat but I didn’t spit it out. I took another sip, and then another. I kept drinking until I felt my fingertips and toes come back to life.

Carl slumped against me and mumbled something I didn’t understand. His breath slipped around me like a silvery ghost. “What?” I whispered, leaning in close. His face was wide and pale as the moon. I touched his cheek with my mittened hand, and then I kissed him fast, like a boxer delivering a right hook. His head lolled back and then righted itself. I kissed him again. This time I let my mouth linger. His lips were chapped and his mouth tasted like pennies from the blood that had frozen beneath his nose. Our tongues touched. They were warm and shapeless. When we pulled apart a strand of saliva stretched between us, and then snapped and landed frozen on my chin.

For a moment he sat there with his mouth open, kissing cold air. When he realized I wasn’t kissing back anymore he let out a lazy, wooly laugh. I tried to hush him, afraid that his friends would hear, but he just kept laughing. I stood and backed away from him.

“Where are you going?” he called out.

I ran toward the entrance of the park. The sky was spinning above me and it was all I could do to keep from falling over. I could still hear him calling for me as I made my way down the street. He still didn’t know my name. He just kept calling, come back! Come back!

By the time I got home my father had given up on TV and gone to sleep. I crept through the dark house and crawled into bed. I had never kissed a boy before. I wanted to keep the moment alive, I could still feel his mouth on mine, but the alcohol had taken hold and was dragging me down into the deep, warm layers of sleep.

That night I dreamed our city was invaded by an army of snowmen. We stood outside in our pajamas and bare feet, with our arms raised over our heads as they led us off, single file, into the glittering darkness.

Morning arrived and my mother called us down to breakfast. My head ached and my mouth tasted rancid. I shuffled downstairs to a breakfast of waffles, scrambled eggs, bacon and toast. Too sick to eat, I pushed the food round and round on my plate. I wrote Carl’s name in syrup and then quickly erased it with a swipe of waffle before anyone could see.

My father gnawed at his bacon and eyed my mother in her robe. He surprised us all by offering to do the dishes. He sidled up next to my mother and let his hand rest on the gentle slope of her hip, and then squeezed. My mother slapped his hand away with a spatula, but she was smiling. He whispered something in her ear and she turned red.

“You girls have been cooped up long enough,” she suddenly announced. “Why don’t the two of you go sledding in the park? Wouldn’t that be fun?” She said it like it was some kind of reward. Olive squeaked and clapped her hands. I wasn’t that gullible.

“That’s a stupid idea,” I said. My adventures from the night before had left me bold. I had kissed a boy. Things were different now, and there was no way I was going to be seen dragging my sister around on a sled.

My mother swung around to face me, the spatula like a sword in her hand. “I’ve had enough out of you, young lady. You will take your sister sledding and I won’t hear another word about it.”

“I hate you,” I whispered to Olive. She smiled triumphantly and showed me a mouthful of chewed eggs.

We ventured into the cold morning on wobbly legs. Olive trotted along with the sled while I lagged behind, my eyes searching for boys in long coats who might be lurking in snowdrifts. People were shoveling their sidewalks and digging around cars that looked like cupcakes. Everyone was in a festive mood, smiling and waving to one another.

I expected to find the hill swarming with bundled children, but when we got there, the slope was empty. A crowd was gathering just inside the park entrance. They stood behind a barrier of flimsy yellow tape that fluttered and snapped in the wind. A Policeman was telling people to move along, that there was nothing to see, but everyone just stood where they were, whispering, craning to get a glimpse of a figure seated on one of the benches.

It was Carl. He was sitting in the same spot where I had left him the night before.  My first thought was that he had been caught drinking, but as I drew closer I saw the blanket of snow that encased his legs, I saw how still he was, how his skin and hair sparkled in the harsh morning light.

“Come on!” Olive said, tugging at my coat. She was too small to see past all the onlookers and couldn’t understand what everyone was waiting for. She wanted to run ahead, to be the first one down the hill. I warned her to be quiet, but five days of being trapped inside had built up within her. She let out a joyful shriek and threw handfuls of snow into the air.

“Shut up!” I hissed, and slapped her hard across the face. She stumbled back and fell.

I had the urge to push through the crowd, to take hold of Carl and kiss him again. I thought that if I could give it back, that last warm moment, he would wake up, like in some stupid fairy tale. Instead I ran. I could hear Olive crying, calling out for me to wait, but I didn’t care. I was almost halfway home before I remembered his glasses.

I turned back and headed to the trees. When I reached the bottom of the hill, I gazed out over a pristine surface. The wind had taken the snow and shifted it into new, unrecognizable shapes. The footprints that had covered the ground the night before were gone, as if we had never been there. I picked a random spot and began to dig. The sun bounced off the snow, and it felt like tiny fingers were squeezing my eyes shut. The cold was seeping into my boots and through my clothes. I dug until I my hands were numb. I kept digging even though I knew I would never find them.

Olive had followed me and was watching from behind a tree, too frightened to come any closer. I could hear her sobbing and the crunch of snow beneath her feet as she moved about to keep warm. Above us the police were clearing a path to the street where an ambulance sat waiting. It took three men to lift him from the bench. They made a cradle of their arms and carried him as if he was something that would shatter into a thousand pieces if dropped.

“Come here,” I said softly to Olive. She stepped out from her hiding place and then walked slowly toward me. I held out my hand to her and she threw herself onto my lap and buried her face in my coat. She didn’t feel like my sister. She didn’t feel like anything I knew, but I held her tight.

It started to snow again. Big, soft flakes as fat and white as teeth. If we sat there long enough, it would cover us completely. We’d be lost until spring. I wondered how long it took to freeze. I thought of our bodies slowly growing rigid, no longer thinking, or dreaming. Our stubborn hearts beating on, trying to melt their way out. Until, like everything else, they finally stopped.

by Elizabeth Anderson

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From the Flatmancrooked Winter 09/10 Poet-In-Residence, Eleni Sikelianos, comes selected poems, chosen by the poet from her body of work. These posts will appear every Sunday for the next ten weeks, after which a new Poet-In-Residence will be introduced and his or her work featured. This number 7 of 10. The poems featured in previous weeks can be found here: Week 1, Week 2, Week 3, Week 4, Week 5, Week 6

From The Book of Jon

Interview (Who is Asking / Who is Answering)

\ Pop, I’m writing a book about you. I mean, with you in it. Are you ready to do this interview?

\ Mmrmph.

\ Okay, where were you in 1963?

In 1963, my father was 17 and clean clean clean as a whistle. By 1968, I was three and he had descended into those dark and distant lands called Heroin. The sun warming his armpits in the afternoons.

\ What happens when that particular crystal gets slipped into the vein?

\ A dark water into which the light descends only a short distance, vestigial gill-slits emerge as the fluid colloid pours in. A luminous, liquid night. Underwater, one can think and dream. All our aqueous history laid out on the sea-floor. In the emulsified dusk, one can see the strings of a violin held down by eel-like pinkies. One can travel, one can go. (My father’s early aquatic life is redeemed.) The earth makes no light of its own, covered by a night’s pressure; what enemies here in the dark, what prey? Sounds and color detach from their objects and float away. Small invertebrates swim brightly through the bloodstream. On the surface, under a full moon, the ship establishes a new weight. Sperm moves through body walls, all the tidal animals\no longer rooted to lunar waters\beams, flashes, fluctuating densities, the body moves back, pre-Cambrian, toward the Polychaete worms. We can organize disorderly things in the world, put public telephone receivers back in their cradles. These were the myths that invented feelings. We do not have to be afraid of heat, or of water, nor fire.

From The Book of Jon, reprinted courtesy of City Lights, 2004. A book-length meditation on my father, who spent the last year or two of his life homeless in Albuquerque, where he died of a drug overdose in January, 2001. This isn’t strictly poetry; the book moves between forms \ prose, poems, letters, documents, photos, and dreams.

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What’s strange is the way we talk about it by not talking about it. I join in, eat my cereal, and quietly read the back of the box while he spills some artificial sweetener into his coffee. The trees outside roar with laughter. They are happy just because the sun is out.

“Can’t do that,” I say. And they quiet down.

My dad eats fried chicken out of cardboard buckets as though he’s trying to prove he’s from the south. This addiction is comfortable and under the circumstances wildly acceptable. In the span of ten years his older sister had died of a heart attack and then another sister had a stroke and then his brother, the oldest, had a stroke as well.

Last year my dad began losing feeling in his feet and complained of blind spots in his vision, and then, a week after a lonely Thanksgiving, he had a heart attack too. It made him feel closer to his extended family, he said.

We spent a lot of time together that first summer after my mom left. I didn’t want to stay at school. I was tired of feeling logy and constantly hungry from all the drinking and pot smoking, plus I knew my dad needed help with the small things—keeping up with his laundry, cutting the grass, getting into bed by nine so that we could wake up and open the store on time.

After I came back we talked about her absence and the heart attack all the time, while herding crumbs off the table, while watching the Weather Channel, while silently deciding whose turn it was to call the pool man about the broken pipe that was flooding the yard and drowning the grass.

The trees are being loud again.

“It’s raining!” They announce. “Our roots run so deep. What could be better?”

The convenience store is the biggest inconvenience in my dad’s life and I was expected to work there while living back at home.

“Candy’s here,” he says.

I looked at the stack of candy I had been refilling since I was six. I could switch out Charleston Chew with one hand and my eyes closed. I pull out a box cutter from my back pocket and flip it a few times like a drummer with a drumstick. I miss and it drops to the floor and skitters until it hits a patch of red dirt caked onto the linoleum. My mom had always mopped at the end of the day. I pick up the cutter and kick at the dirt to loosen it.

“We should mop!” I shout to my dad. He’s standing at the counter, eyeing a kid at the soda fountain.

“You mean you should mop.”

The kid pops a lid onto the soda, strips a straw, and pokes it in. He walks up to my dad and dumps a pocketful of change onto the counter. My dad counts it quickly, efficiently, like it’s in his blood. He doesn’t look up once.

The customers slog in and out, mumbling about it being the worst summer ever. It reminds me of a Camus story where the man is blinded by the sun and shoots someone because the heat is clogging his brain. People walk slowly, zombie-like. We do not complete thoughts, much less speak.

My dad refuses to turn on the air conditioning, so when I finish the candy I head to the cooler. I prop up a few cases of beer to sit on and don’t bother turning on the light. It smells like wet cardboard and rancid yeast and somehow this comforts me. The smell of spilt beer is stronger than I remembered and I realize that it’s because my mom wasn’t around to clean it or to tell my dad to clean it.

I watch as a customer walks up and grabs a soda. She stands with the door open for a moment, savoring the cool air. Her mouth falls open as she closes her eyes and for a moment we share the same heaven.

On the way home my dad grumbles about the kids being out of school for break. They steal candy when he’s not looking and then when he tries to stop them, they just run. He wants to install rounded mirrors at every corner, but that will cost more money, even more money than he is losing from the stealing. I say that the mirrors are a good idea; if anything, it would cause paranoia, make the kids feel like they are being watched.

Staring at the brown yards as we approach our neighborhood, we talk, but not about the things we need to talk about. We continue with the heat, the mosquitoes. He pulls into the drive-through of his favorite fast-food restaurant and orders the only thing that brings him joy. I want to make him promise not to have another heart attack, to admit that he has been defeated by my mom’s departure. I want to make it through the summer without having to talk to a doctor again.

When we arrive at our driveway all I can hear is the crackle of rocks under the wheels of our car. I ask the trees why they are so quiet lately.

“Too hot,” they say, “it hurts to talk.” And they’re right. Even after the sun was gone, you could still hear a sizzling in the air.

At home we discuss things in silence. I chew the chicken with my mouth open, not wanting to taste imminent death. The skewered corn leaks butter onto the mail. Neither of us do anything about it.

We clean up, and when I come back into the house after taking out the garbage, he is already asleep on the couch, a bottle of aspirin on the coffee table in front of him. The remote control is balanced in his outstretched hand, perpendicular to his body as though he was about to hand it to somebody.

I lace up my sneakers and step out for a walk in the nice and well-wooded suburban neighborhood that we are no longer part of.

“Why do you do that?” the trees ask. “Why do you let him eat that crap?”

I don’t bother to answer. I preoccupy myself with the fireflies grinning with light.

The day the letter comes, the newspaper headlines mention E. coli at the water park. It was the end of August, high poop season for kids in the water. Now everyone was sequestered at home in the air conditioning, tugging at the straws in their slushies bought at our store. The letter was addressed to my dad, so I don’t touch it. It stays with the other mail for days, collecting grease and other kinds of viscous misery.

Then it was gone.

Once, my dad had asked me to measure the gas in the gas tanks: Regular Unleaded, Super Unleaded, Premium. I felt like I was taking the temperature of the earth, and each time I’d pull the long measuring stick out of the deep tanks beneath the canopy, I would check the numbers and diagnose it with an ailment. On this particular day, when I looked up I saw my mom being escorted into a police car. She saw me looking and shrugged her shoulders.

My dad often tells me that being humble is one of the most important things in life. The most fruitful rice plant is the one that dips closest to the ground, and in Korea the person who bows deepest has the most to offer. My mom thought that my dad was too proud to ever admit when he was wrong. When he bowed, he only bent over further than the other person because he had back problems from being overweight. My mom, she never took things very seriously.

I asked the police officer leaning on the car what had happened.

“She sold cigarettes to a customer without checking I.D.,” he said, nodding at a guy talking on the payphone. He looked like he was twelve.

“He looks young. She really had no excuse.”

When I walked back into the store I checked to see if the same “We I.D. It’s the Law” sign was still taped onto the counter. It was, so I found a black marker and added some exclamation points to the end. Now it read: “We I.D. It’s the Law!!!!!!!!!!!!!!!!!!!!!!!!!?” The question mark was an exclamation point that got twisted with the texture of the clear tape. I decided not to change it.

After that she lived with her family in Korea for a month and then moved to California. Her address was somewhere in the southernmost part of the state, but further inland, near the desert.

I imagine the trees are quiet where she lives. No weeping willows, no dogwoods or magnolias. They seemed scattered about and lonely, especially the gnarled and ugly Joshua Trees.

“The divorce is killing him,” I say out loud. I am sitting at the edge of the pool smoking a joint; my legs are in the water up to my knees. I can hear my dad turning on the television as he drifts into another food coma. The weather report comes on. It will be ungodly hot for the rest of the summer, the average high over a hundred degrees. The woman reporting fakes incredulity. I want her to tell the truth, that we had been judged and were fast approaching hell.

“I’m not sure what to do.” I look up through the vertical tunnel of trees to the tiny patch of open sky. It had been my mom’s idea to move into this particular house, because of all the trees. Unlike the other houses in the neighborhood, ours sat further back and was almost embedded in the woods, as though we were hiding.

When I get no answer, I dip the tip of the joint into the water, rest it on the concrete and jump in. When I emerge, it is still quiet except for the hum of the recently fixed water pump. I wipe my hair away from my face and notice that my arms are sore from bagging ice all day. I slowly, methodically, pull off my bathing suit and toss it in the direction of my towel. I can just make it out as my eyes adjust to the darkness. I swim back to where I had left my joint, relight it, and inhale until I feel the burn on my fingers. Then, with my toes grazing the bottom of the pool, I move towards the deeper water where I will feel most buoyant and closest to nothing.

When I was eight, our house caught on fire. A pilot light had kissed the Christmas ornaments and set other the holiday decorations ablaze before creeping into our bedrooms.

I was in class scrutinizing the anatomy of a frog when I was called into the principal’s office. When I arrived, she immediately took my hand and drove me in her car to the blackened remains of my house. The firefighters were pulling furniture out of the living room to protect it from further smoke damage. The ivory keys on the upright piano were distorted like melted candy. The goldfish that had lived on top of the piano swam in its bowl at the corner of the driveway.

My dad was talking to a firefighter, gesturing at the side of the house with the most damage. He looked calm. When he saw me, he walked over and started stroking my head. “It’s going to be all right,” he said, “I have homeowner’s insurance.” I nodded, having no idea what that meant.

I surveyed the woods surrounding the house. The trees were not happy. For them, fire meant renewal. Only trees in the west caught fire regularly, and when they did, entire forests were incinerated, but I didn’t tell them that. Trees are very loud when they cry.

“We only got a little singed,” said the pear tree, disappointed. It sat just outside of my bedroom.

Soon after I got there, my mom pulled up. She had locked up the store in the middle of the day, the first and only time that would ever happen. She ran up to my dad and me, worry bursting from her face.

A firefighter carried a small box over to where we were standing in the driveway. He held it up. “Yours?” he asked.

My mom reached out, shaking. It was hers, yes. She opened it slowly, revealing the things my father had given her over the years, starting from the time they’d met in Korea. She began to cry.

My dad spoke to her in Korean. “It’s okay. We will clean up and begin rebuilding tomorrow.”

The three of us stood and watched the smoke rise from the extinguished remains of the house, floating up as though running away from the earth.

by Charlene Kwon

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From the Flatmancrooked Winter 09/10 Poet-In-Residence, Eleni Sikelianos, comes selected poems, chosen by the poet from her body of work. These posts will appear every Sunday for the next ten weeks, after which a new Poet-In-Residence will be introduced and his or her work featured. This number 2 of 10. The poems featured in previous weeks can be found here: Week 1, Week 2, Week 3, Week 4

Captions for my Instruction Booklet on Naturally Historical Things

All my good ideas, comeback to me! I’ve done $6.00 worthof walking today and I want youto come home. This is notjust dream-jargon. The city is out there, and youare a citizen — What’syour report? I want the animals to come to me from far and wideover the frightened grass, just as they would if this were a wishing-apple and the mountainswere hollowed by shadow. What do you want? A cup ofshit on the subway? (I saw it) Lightflashing out from behindthe elevator. Detailsto make a philosophy? These won’t. But I will shout this dream out to you as soon as I have learned another bird-bone by heartLate summer wears an eerie light on utility poles & showsthe creatures we moved through to get here:

reptile, raven

varied faces emerging from the totem

Flocks of limbs come dark & forward, wings drawn down one by one

This is a subregister of a larger field, perhaps of a desert hunt with wild dogs

I suspect our citywill soon be laid to ashesOur island cityRowing out over the river in the darkThey have dividedgeometry onto it, stripped off the mosses, stripped off the rocks, and replaced them with concrete blocks. When you are thinking in the dark, thinkof our cityas stitched dynamos switched on & shining at midnight, a vast landof electrically charged siding and craters, & over it we layin the bright & in the dark if you fill your brain with Boston or New York

in this our talking America we will reach Thales by waterBangor by seaAnaximander by aira large iron gate

Take Paris by riverAnaxagoras by thoughtTake Zoraster by fire, Jesusand the mutts by love,Take fire by flashlight, take flight, between the allegory of eachis a narrow equatorial belt where everything

is angular and real

The Monster Lives of Boys & Girls, Green Integer, 2003, National Poetry Series Selection.

The lines  “I suspect our city / will soon be laid to ashes” haunt me in this poem; I wrote it while living on the Lower East Side in New York, a couple of miles from the Twin Towers, a few weeks before the planes crashed into them. Our varied faces still emerge from the totem (of evolution, of human and animal endeavor), but our human world has since changed forever.

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Read Part I

She turns to lie on her side and smiles at me. Up close I can see her grey eyes. They’re beautiful. “Do you want me to brush teeth?” she asks.

“No,” I tell her. She should be telling me to leave, or to shower up and leave, but she just lays there smiling at me. “You’re not a whore,” I say.

She puts her hand on my cock. I go to take it off but she starts pumping and I feel myself getting hard. Then she’s kissing me, and she’s definitely not a whore, but she’s got cum breath, which is enough to wake me up. “Stop!” I say. “Leetza, right?”

Her face lights up a little and she says, “Yes.”

“Okay Leetza,” I say, “it’s pretty clear to me—” but she keeps pumping and I’m hard as a rock again. Now in my head I’m having a vision of me pounding her, with her tits bouncing through that little tank top, and her pussy throbbing and clutching at me a little bit each time I push in. But I haven’t even seen her pussy. I roll away from her and out of that death grip. I sit up, shaking my head. There’s a huge mirror on the other side of the room that I didn’t even notice. My cock’s standing straight up. She sits up and starts kneeling behind me, rubbing my pecs through my shirt. “Leetza?” I say.

“Mmm,” she purrs.

I jump up and nearly trip over my pants which are bunched around my ankles. “Now wait,” I say. I point at her and shake my finger up and down. “Your fucking boyfriend is gonna bust in here any minute, isn’t he?”

That wipes the sexy look off her face. “No,” she says, like she’s about to cry.

“Well,” I say, “you’re not any whore I’ve ever seen.”

“I—” she starts to say.

I pull my pants up and try stuffing my cock down into them. “Come on, honey,” I say, easing the razor out of my pocket. I’ve carried one since I landed in Vladivostok. “Fess up. I’m not gonna get mugged, am I?”

She sees the razor and screams. She rolls across the bed and runs to the sofa in the corner of the room. Then she sticks her arm up, like I was about to charge at her. “Please,” she says. Now I really feel like I’ve overreacted. I put the razor away and exhale. I’d been holding my breath and hadn’t realized it.

I walk to the chair near the bed and sit down. There’s a pair of girl’s DKNY jeans hanging off the arm. I throw them to the ground and sit down. Leaning back I say, “Cool it, girl.” She makes a little noise, capitulating, I guess, and puts her arm down. Then she crosses her legs. She looks like a model sitting like that. I almost expect her to pull a cigarette from her purse and start smoking it.

“I’m sorry,” she says. “It was the knife.” Her English is so good for a Russian girl.

“Are you Russian?” I ask.

She thinks about how to answer the question. “I’m Chechen,” she says.

That surprises me. “Chechen?”

She corrects her posture and says, “You know, Nokhchi?”

I know the term, but I say, “What?”

“You are American, correct?” she says. “I feel like we are both unwanted people in Russia.”

She’s the one hanging out with a fucking Armenian. “What do you mean?” I ask.

“I am born in Grozny, Djovkhar Gaala,” she says. I remember somebody telling me that Chechens don’t like the name Grozny. She goes on, “The Russians killed my family. All of them. I know men do not care about prostitutes’ stories, but you are wrong.” She recrosses her legs the other way. That, along with the pause in her speech, is sexy. “I will ask you a question.”

“Okay,” I say.

“Do you want me?” she asks.

The question blindsides me. She can’t mean sexually, because that much is obvious. “Well,” I say.

She cocks her head to the side and says, “Do you want to know what I mean?” She looks around the room and then out the window. All there is to see is overcast sky and the grey Pacific. Maybe Japan or Korea if you looked hard enough. “Please,” she says, looking at me again, “tell me what you do.”

“What?” I ask her.

“Do you work for U.S. government?” she asks.

I laugh. “No. Coca Cola.”

“Really? Do you sell the Coca Colas?”

“No.” I regret saying that because her smile fades a little. “We had a problem with some of the Russian bottlers and I was sent here to inspect the water sources.” I realize how boring that sounds, but she’s sitting there enraptured. I can’t tell if it’s an act or not.

“We never had Coca Cola when I was a child.” She’s just sitting there, smiling at me. I smile back. “What is your name?” she asks.

I tell her. I look out the window and suddenly the sun is peeking through the clouds. It’s giving the ocean a metallic blue sheen. The room brightens. I ask her, “What did you mean before?”

I can see her better now. Her makeup is sloppy, which I guess is pretty classically Slavic. She’s got a cute nose and her eyes look even bigger. Her tits are maybe a little too big for her body but they look great—really full. I can’t get over how fragile she looks, especially the way she’s sitting now with her legs together and her back hunched. “I’m sorry,” she says, “it will be inappropriate to ask. I—”

She’s interrupted by her cell phone. We sit in silence watching it flash and ring. I glance at her and she looks from me and back to the phone. Neither of us moves. When it stops, she stares at it for a few moments then says, “Will you excuse me to see who it is?” I shrug my shoulders. She stands up; I’m surprised again by how tall she is and how much better she looks standing up. She walks to the dresser near her bed. She has her back to me, so I ask, “Who is it?”

“Nobody,” she says. She walks back to the sofa. When she sits down, she crosses her legs again and bounces the phone up and down in her hand.

“Maybe I should leave,” I say.

“Well—” she says, before the phone rings again. She looks down and something weird’s going on with her face. She answers it, I think, in Armenian, because I can hear the Armenian’s voice on the other end. He’s yelling about something and she starts yelling right back. She doesn’t try to hide the fact that she’s saying, “Amerikatsi, Amerikatsi, Amerikatsi!”

I get up to leave. When she sees this she hangs up on the poor guy and stands up. “Okay,” she says, “now I am being honest.”

“What?” I ask.

“How much money do you have?” she asks.

I feel like reaching for the razor, but instead I ask, “You mean in the world?”

“Yes,” she says.

I have to think for a second. There’s the expense account, which I can pull a few thousand out of right now. There’s the Citi checking with a thousand or so. A few hundred dollars worth of rubles back in the room. Then there’s the house with a mortgage on it. And then there’s the wife. “About a hundred thousand dollars,” I tell her. “But don’t assume that you and your pimp can just steal it.” I don’t know why I’m lying.

Her eyes light up. “Wow,” she says.

“Wow?” I say. “Why do you care?”

“Please, sit down,” she says. I do. She starts walking towards me. My heart feels like it’s going to jump out of my chest because it looks like she might sit on my lap. Instead of doing that, though, she sits down on the bed in front of me and crosses her legs so that her foot’s touching me. “I asked if you want me, yes?” she says. I want to lunge at her right now and kiss her.

“Yeah,” I say.

“You are a rich man,” she says. “Please, it’s Andre.” She puts a hand on my knee.

“Andre?” I ask.

“He is in trouble with Russians.”

“What kind of trouble?” I ask.

“He owes money,” she says. Now she is crying. I feel like I should console her, but she goes on. “I must help him. He is, I mean—”

“How much does he need?”

“Only a fraction of yours.”

Her bawling is starting to make me feel uncomfortable. “How much?” I ask.

“About million. Rubles. I mean forty thousand dollars.”

I don’t know how to break it to her, so I just say, “I can’t,” which causes her to break down completely. This guttural moan starts coming from her throat. I can’t even look at her face.

“Please, please,” she keeps saying. I stand up and she screams, “They will kill him!” I turn around to start walking out of the room. But she crawls after me and holds my leg.

I look down at her and say, “I just can’t.”

“You can!” she screams. She’s sobbing and convulsing. She keeps making this gasping sound. Her chest shakes.

“I told you I can’t. It’s the stock market situation.”

“Give him the money,” she says, “and you can have me. As long as you want.” I just keep looking down at her. She’s on all fours, talking to herself in Russian, or Chechen, or something. I can’t really tell. I think about telling her the truth, that I simply don’t have the money, that there’s nothing I can do even though I want her.

“I can’t,” I say, pulling my leg away. I walk to the door.

“Stop!”

I turn. She’s pointing a gun at me, now. And with the way the gun’s shaking I think I might be able to make it into the hall if I just fling the door open and run. But I’m frozen in place.

“Asshole!” she screams. “You have papers? Papers. Visa. Give them. Throw them at me. You are American. You just tell them you lost papers. Give them.”

I can’t lose this visa. I don’t know if there’re any State people in fucking Vladivostok, and the Russians would probably throw me in jail either way. I take a step toward her and she screams, “Don’t move!” She takes a few steps back and says, “Get on bed. Go. Go!”

I move over to the bed with her pointing that gun at me. I see that it’s a Ruger, and I can’t imagine where she got it. “Okay,” I say, “be calm. Just be calm, honey.”

“The papers. Please. You must throw them at me.”

I tell her, “I can’t lose my visa.”

“I do not care,” she says. She takes another step toward me. I can see tears running down her face.

“Okay, okay, okay,” I say. I put my hand in my pocket and finger the razor. Logically, there’s probably nothing I can do. How could I use it on her? I pull the wallet out and throw it underhand to her. It lands at her feet. She’s still wearing just the panties and tanktop.

Somebody starts pounding on the door and yelling. It’s has to be that damned Armenian because he’s yelling “Leetza!” over and over.

Leetza, still pointing the gun at me, crouches down to pick up the wallet. She thumbs through it with one hand and dumps the money on the floor. The Armenian’s pounding on the door and shaking the knob. Leetza walks over opens the door. The Armenian and I catch eyes for a second. He looks almost apologetic or something. Then Leetza yells something at him and they run off.

I run to the door, which they’ve left open, and out into the hallway. I can still see them. They’re running toward the stairs, the Armenian in his leather jacket, and Leetza in her panties. They’re screaming at each other in Armenian. I didn’t notice it before, but the Armenian’s got a limp. He’s slowing them down. I go right, heading for the elevator. It seems less likely that I’d get shot in the lobby.

Standing in front of the doors I jam my thumb into the call button repeatedly. Finally there’s a little ding and the doors open. I say, “Armnienskizik raskeeshchats droogoy varavstva visa!” to the operator who’s standing in front of me, dumbfounded. My Russian is terrible. I’m trying to tell him the Armenian stole my visa, but I don’t know how to say it and he’s just staring at me. You’d think he’d at least understand ‘Armnienskizik’ and spring into action. Finally I shout, “Pyearvee etazh!” and we descend toward the lobby.

When we get to the first floor, he opens the doors and says, “Haroshevya nya.”

I run from the elevator. The Koreans are gone and there’s a bunch of dirty Russians at the bar instead of the girls. I see the same two guys that were eating fish and one of them waves at me. But I don’t see Leetza or the Armenian. I walk toward the bar, trying to look calm. Then I hear behind me a door flung open. I turn to see the two of them scrambling out of the stairwell, running at full speed. The Russians all look up and I start shouting, “Peristaats ye yo! Dyev a naa Chechen! Sookha Chechenhaya!” and that’s good enough Russian. They hear Chechen and all stand up in unison.

One of them points and laughs at Leetza. She’s headed for the exit—barefoot and half naked—and the Armenian is limping after her. The Russians all run for the door, too, screaming “Chechen” and “Sookha” and “Dyev.”

I follow them, thinking for some reason that I need to save Leetza. But I don’t hurry. When I do get outside, it’s damned cold and it’s started drizzling. The street is empty except for the ruckus halfway down the block.

One of the Russians has got the Armenian pinned to the ground. He’s bleeding on the knees and talking in Russian. The rest of them are standing in a half-circle around Leetza, who’s pointing the gun from one to the next. A couple of them are laughing at her. And she does look absurd—she doesn’t even know which one to point the gun at. She’s standing with her feet wide with nothing on but the tank top and panties. The tank top’s soaked all the way through from the rain. Her nipples are hard it’s so damn cold.

I notice my wallet lying on the ground and none of them have noticed me yet. The Armenian is crying and wincing, looking at Leetza and mouthing words while that Russian’s sitting on his back cranking his arm the wrong way. I walk as quietly as possible to the wallet and pocket it. I try to back away, but Leetza notices me and starts screaming. She points the gun at me and one of the Russians lunges at her.

I try to say something. I start talking in English. “You have to stop. I’ll get the police.”

They laugh. “Amerikanyetz!” they keep saying.

I start backing away. The Armenian isn’t moving anymore. For some reason his name comes to me: Andre.

And Leetza. One of the Russians is holding her by the leg and she tries to resist, uselessly. I look around and the streets are empty. The others circle her.

I look one more time before I turn and go. At my back, I hear Leetza scream my name.

by John Christy

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