Launch New Novella Hyperlimited Anthology

10E 0.4: Barry Graham and The National Virginity Pledge

Friday, August 20th, 2010

by bl pawelek

(an FMC original)

In 10 words (no more, no less), describe The National Virginity Pledge.

BG: Enjoys snowflakes, Indian food, cartoons, long walks on the beach.

Five Questions Here

1. Tell me how this book is like a poker hand.

BG: Is this where I declare my philosophy of life and disguise it as a poker metaphor? I knew there was a reason I liked you. I don’t know. I think I tried to construct these tales in such a way that every detail is important and meaningful in any number of ways, depending on the reader and what they are bringing to the table at any given minute. Hopefully a reader can read the same story two or three or fifty different times and have a different reaction to it and it’s details every time they read it. So I guess the comparison is. You can be dealt any hand at any given time, hell you can get the same two shitty hold cards three or four times in a row, but if you know what you’re doing, there’s a better than 74% chance you’re gonna play those cards different every time you get them. It all depends what you’re bringing to the table before you sit down.

2. I have got to ask, what is the Tic Tac Toe thing?

BG: I wish I had some cool story to make up but I don’t. In K-12 I went to thirteen different schools, so I spent much of my childhood (and well into adulthood, depends who you ask), the stereotypical fat, awkward, poor, pimply, picked-on, friendless, new kid in school. Come sixth grade I was starting my sixth school and I just happened to get seated next to the kid who was “that kid” before I showed up. Well, this kid happened to be a sort of genius, so he never needed to pay attention. I didn’t bother because I knew I’d be heading off in a few months to a different school, so we kind of made a good pair. So he spent about three months kicking my ass every day at Tic-Tac-Toe, until the week before I moved. He taught me the secret to life, the sure fire way never to lose, and I haven’t lost since.

3. What is the history of the cover graphic?

BG: Kris Young, the editor at Another Sky Press, is pretty bad ass. When he asked me if I had any ideas for the book cover I said yeah, let’s have a blank cover, nothing on it anywhere. He said, let me think on it. Two weeks later he sent me an email and said, how bout this. The image he sent was pretty much the image you see on the cover. He didn’t tell me how he got it and I didn’t ask. We spent a week tweaking it, and that was that.

4. ‘Cats and Dogs; Like Rain’ - damn. How much of Barry Graham is in these stories?

BG: One of the best literary events I ever experienced was when Davy Rothbart gave a reading and Found Magazine presentation at Eastern Michigan University. I was teaching his short story collection (my favorite short story collection of all time), The Lone Surfer of Montana, Kansas, in my writing classes and I was taking questions from the class to ask him. One of the students noticed that all of the stories had a first person narrator, but only one of them went unnamed. It was the last story of the collection, Elena, about a young drifter who finds himself involved in a scam to rob truck drivers near the Mexico-California border and ends up falling in love with a fourteen-year-old prostitute, Elena. So after the reading I ask him some of the questions from the students and when we get to the unnamed narrator, I was hoping to relay some existential metaphor to the class, something funny and heartbreaking, maybe the clue to figuring out the Mayan calendar, so Davy laughs and says, oh, I didn’t even notice. So I guess just tell them, without a doubt, it’s always Davy. So yeah, apply that little story to your question any way you choose.

5. How would you describe ‘All His Chips’ (other than brutally sad)?

BG: I see All His Chips the same way I see all my writing, as a love story—with all the intricacies and complexities and contradictions that you’d expect to find if you hid in the closet of any given house on any given road in any given town and observed two people attempting to find happily ever after.

Five Questions There

6. What was the best poker hand you lost with?

BG: I’d like to tell you about the most heartbreaking hand I ever lost, but I’ll do that in person when you come to Jersey. But the best hand I ever lost with. I was playing a home game with some country boys, which is never an easy way to make money, country boys are born with a poker gene passed on by their daddies and granddaddies. So I’m holding on to a full house, kings over aces, and two people were still in it. I figured they both had flushes which made me smile, because when you have an ace or king high flush you never see the full house coming if there aren’t two pairs on the board. Well come to find out one of them had the big dog, the royal flush, clubs, and that was that.

7. What is your favorite line of the book?

BG: “I love you.”

8. I told you this reminded me of Bukowski. What do you think of comparisons?

BG: Comparisons to me and Bukowski or comparisons in general? I’m indifferent. Let talkers talk and comparers compare. But I will tell you this, if anyone tries comparing any of the new Legend of Zelda games to the old school shit on the Super NES, they are just plain fucked in the head.

9. Part of the title of this book is “short stories and other lies.” What is one true fact in this book?

BG: My father is dead.

10. What is the first sentence of the pledge?

BG: In the beginning God created the heaven and the Earth.

In ten words (no more or less), what are you working on now?

BG: A plan to pay back everybody everything I owe them.

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TRACKS

Wednesday, August 18th, 2010

Cover designed by Michael Fusco. Presale begins August 27th.

by Emily Pulfer-Terino

Scent of rotting vegetation back behind the gas station
swelled to a heavy twang. Hick spies, my brother and I

brought binoculars and canteens and broke into
cattail, bramble, back to the tracks where our family

roar grew fainter, married to the groans of distant trains.
We’d perch along those flanks of steel for hours, days,

not talking, straining to see something going on
behind the neighbors’ blinded windows. Whole seasons

seemed to go that way— our having left the house a stealth escape;
our watch a hunch that others’ homes were wracked.

Houses sagged along the rail; wet wash hung down one long line.
What could happen there, where kids swung sticks and watched the sky,

where men bought nails and women widened in the glow of afternoon tv?
We stared down tracks ‘til they shrunk to a point beyond our understanding.

Back by the pump, the dumpster teemed with beer cans, bags and shoes.
This was our best game then, what staked our separate selves together.

Trying other views, my brother traipsed off down the tracks;
his voice over the walkie-talkie, dense with urgency and static,

grew vague the farther on he got, the more he saw of other peoples’ lives.


by Emily Pulfer-Terino

*“Tracks” was the winner of the 2010 Flatmancrooked Poetry Prize

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Kate Braverman: Writing as a Criminal Act

Wednesday, August 11th, 2010

by Rebekah Hall

We only just caught wind of this. Lucky for you, too, because it’s not too late; this is the greatest writer’s retreat you probably don’t know about: Kate Braverman is currently accepting applicants for a rare writer’s workshop—Writing as a Criminal Act—at her estate in Santa Fe, New Mexico. The darkly lyrical Braverman has the enchanting ability to slip her entire fist into the very center of human life and drag from it all that is deep and shallow. She captures the simultaneous emptiness and fullness of existence in a language that is at once raw and poetic, accessible and immersive, a perfect synthesis of rhetoric and image. She’s a longtime favorite of the Flatmancrooked crew, and I’m super excited to head out to Santa Fe with Kate and smear coyote blood all over my manuscript while howling at the stars and full moon with twelve other writer-criminals. Come lie and steal with me!

From Kate’s website:

Writing as a Criminal Act

Santa Fe Workshop, September 25, 2010 Kate Braverman will teach a rare total immersion one-week writing workshop. Participants will stay at her retreat, write, howl with the coyotes, write, watch the sunset like a massacre across their faces, write, eat, write, witness the promiscuous moon leave her greasy streaks across the innocent sky, write, have nightmares and write.

Ms. Braverman is interested in the concept of Writing as a Criminal Act. As writers, we employ the methods of professional criminals. We break and enter, we rob, we assume aliases and false identities, engage in fraud, lie, omit, impersonate, autopsy the living, exhume the dead for interrogation and deny everything. Recognizing the full extent of one’s writing tools should be liberating. We will use them with the ruthless conviction of people willing to be incarcerated for their acts.

(more…)

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THE UPSIDE-DOWN RIVER

Wednesday, August 4th, 2010

By Sam Decker

It didn’t die right away, the duck. It waddled in circles for a while and then fell over on its head, pumping its little webbed feet like it was trying to swim away in an upside-down river. When they were convinced that it no longer had any life in it, the two of them sat against a pine tree and passed the warm body back and forth until they had removed all the feathers. By then it was dark and they followed the river back to camp. When they came into the light of the fire Conrad was holding the animal by the neck, its small pink body swinging just above the ground.

Conrad and Ben were assigned to the same tent and they always paddled together, but it wasn’t until the seventh day of the canoe trip that the two of them chased down the duck and beat it over the head with a canoe paddle that they thought of themselves as friends.

Everyone at camp was at the very least impressed. Some—the girls—were horrified, though most appreciated the touch of savage ambiance it lent to the evening. The campers removed their sticks holding hotdogs and marshmallows so that Conrad could ceremoniously place the duck over the fire. The two boys cooked the duck until it was charred as black as the river and then they took turns gnawing at it, spitting the crispy skin on to the ground. They didn’t share any of their kill, but admittedly, no one had asked.

(more…)

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10E 0.3: Aaron Burch and How To Take Yourself Apart, How To Make Yourself New

Friday, July 30th, 2010

by bl pawelek

(an FMC original)


In 10 words (no more, no less), describe “How To Take Yourself Apart, How To Make Yourself New”.

AB: Collection of instructional prose poems about dads, growing up, girls.

Five Questions Here

1 - The book is dedicated to your dad. Tell me your best dad memory.

AB: Hm. This is going to sound lame, but no single memory jumps to mind. But it’s dedicated to my dad because what does jump to mind is basically all the little moments that come up or are hinted at in the book – going fishing together, camping, baseball games. All that stuff.

2 - (p10) If you ever had to perform an autopsy, where would be your first cut?

AB: If not, like the short, at the “front of the scalp,” then probably just right in the middle of the chest. Which seems the most obvious, right? Cut right in, splay the body open, see what’s in there? An obvious starting place, but I’m a kind of obvious guy.

3 - (p12) What dream are you currently injecting?

AB: Whatever I think, right before falling asleep, will help me write something good when I wake.

4 - (p14) Describe yourself as a complicated math equation.

AB: Hell. One of the reasons I started writing was so I no longer had to deal with math, as much as I liked it. Recently, while having a conversation with someone about what we write, and the stuff we write over and over again, I said something like “dads and clouds and bible stories and paper cranes and malaise.” So, maybe something like:

X = (N(F + C + B) + M)/SD + PC

Or something like that.

5 - What is your favorite line in this book?

AB: I know you aren’t really supposed to admit this about your own stuff, but I feel like I like a good number of lines in this book. I’m pretty proud of the lines and, as someone who doesn’t really think of himself as a language or line writer, I find myself surprised by a decent amount of the stuff in there. Lame, I know. That said, I like “There, there.”

Five Questions There

6 - Your favorite folded piece of paper would be a …

AB: Folded checks are nice. Or love notes. Maybe my “favorite” would be, like, a junior high love note or something, with hearts and spirals and everything, back in those heady days when everything was so innocent and new. OK, OK… the “N” in the equation above is nostalgia.

7 - (p34) What is the best ‘piece of trash’ you have ever found?

AB: Hm. I’m actually not much of a trash collector, or even picker-upper. I’ve got this great, old Paul Bunyan book here on my desk that I’m not sure where I got, but I think grabbed for free at some garage sale giveaway or something.

8 - (p48) On the last piece of paper you have eaten, what was written?

AB: If I told you that, I wouldn’t have needed to eat it, now would I have?

9 - When you become a father, what is the one thing you will teach your son “How To” do?

AB: Is “take himself apart, make himself anew” two things? Is it a cop-out answer?

10 - What was the hardest part of this book?

AB: Organizing it. I wrote all the pieces pretty quickly, never once thinking of them as a collection, or a whole of any sort. But… the odd side benefit to only being able to write one or two things, over and over again, is that when you collect them, if you put the puzzle pieces together just right they can, hopefully, feel like they were meant to be like that all along. A kind of whole greater than the sum of its parts. So the hardest part was definitely deciding what fit, what didn’t, and how (if it was possible) to arrange them for best presentation.

In 10 words (no more, no less), describe your next project.

AB: My cheating preamble and so too-long answer is that I have two “next” projects – a book from Keyhole in September, and then what I am actually writing right now:

a) Novella made from shorts about clouds and a relationship.
b) Cliché roadtrip novel with religion, video games, and more.

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THE WHITE BUTTON

Wednesday, July 28th, 2010

Myfanwy Collins

In December the snow was so deep that deer knocked over the birdfeeder and denuded the shrubs at the front of Eve’s house, eating even the rhododendron leaves, all other forms of nourishment lost to them, covered over with white.

Hesitant sun poked through the evergreens and spiked the snowy yard that morning. It was mild. In the 30s. Earlier she heard footsteps squeaking up the snow covered drive—a man come to invade her house and kill her. But when she got up to check she found the dog in the hallway, his nails scratching against the tile from his dreaming movement.

Outside there was no man, but trees. Beyond the trees there were roofs, which throughout the region had fallen prey to ice dams. The eaves, heavy with ice and snow from rapid thaws and freezes and snows, were dammed so that behind them icy water backed up onto the roof and threatened to seep through into the house proper.

Ceilings caved in. Walls leaked. Nasty business.

Eve noticed the first drips in the window casings in the upstairs bedrooms. Soon the walls beaded and splotched. Her house was sweating on the inside.

She pawed through the tiny local phone book and settled on Fixit General Contractors. A man answered. “Talbot,” he said. She understood this was his name. (more…)

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Zero Emission Book Tour: Doc Preview #2

Sunday, July 18th, 2010

Here is the second-of-two previews giving you a brief look at what is to come from the Zero Emission Book Project Documentary. If you have not purchased a copy of this amazing book yet, now is the time to support this author and this project. If you haven’t made it to an event yet, James is reading this coming Monday in Davis, CA at Avid Reader, at 730pm. Then, a huge homecoming bash in Sacramento, Ca, Tuesday, Pangaea Cafe, from 730-1130pm. Come on out. Show your support!

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RENFIELD AT THE STEREO BAR

Wednesday, July 14th, 2010

by Kirsty Logan

Renfield lives down a narrow alley above the bar where he works. The bar is called Stereo. Renfield has a theory that every city in the world has a bar called Stereo. He doesn’t travel much, but he has Googled it. Montreal, Alicante, Frankfurt, and Saint-Petersburg all have bars called Stereo. Renfield still eats bugs.

On his morning off, Renfield walks through Glasgow. He orders fish and chips with a mug of sugary tea. He picks at the food, moving it around so it looks like he has eaten some. He suspects that hunters are watching and the appearance of normality means survival. He goes to Argos and flips through the catalogue. He browses the classics section in Waterstones. He watches the pigeons fight over shreds of battered sausage and the tourists photographing them. His destination is the Necropolis, but it is important for this to seem accidental because of the hunters. Renfield knows that the dead must have their hearts burned. He is not sure whether this counts as a crime. He knows that hearts sing through the flames.

In the bar, Renfield is a fixed point. The customers in the bar swarm and buzz, but Renfield keeps his place behind the counter. He pulls pints quickly and cleanly. After closing, Renfield locks the bar and climbs the stairs to his flat. It has three rooms including the bathroom. This is where he eats the birds. His kitchen window is small but has no blinds, and his neighbours can see in. The bathroom window is dimpled glass and shows only blurs of dark and light. He is no longer sure whether the birds are helping his life force to grow. He thought they might heal his broken neck, but their small bones catching in his throat just made it feel worse. To hide his neck Renfield wears high-collared shirts and sometimes even a neck brace. He says this is because he fell off his motorcycle. None of Renfield’s customers or fellow bartenders can imagine Renfield on a motorcycle. He does not look like he could be trusted with an object traveling at 100mph.

(more…)

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10E 0.2: Ben Tanzer and Most Likely You Go Your Way And I’ll Go Mine

Friday, July 9th, 2010

by bl pawelek

(an FMC original)


In ten words (no more, no less), describe Most Likely You Go Your Way and I’ll Go Mine

BT: Boy meets girl. Sparks fly. Things implode. Things change. Done?

Five Questions Here:

1 – Tell me another lyric title you thought of for your book.

BT: Don’t Think Twice, It’s All Right. I was in a Dylan mode and everything sounded right.

2 – What is the one thing you dig about Bob Dylan?

BT: He tells stories about relationships that are somehow sad, funny, political and sweeping, yet still taut, all at once. He also reminds me of my dad. Sorry, that’s two things.

3 – So, who is who on the cover?

BT: From left to right: Geoff. Jen. Paul. Rhonda.

4 – What is the best and worst thing about dating in New York City?

BT: As a former New Yorker, the best thing about dating in New York City is that you get to date in New York City, the greatest city in the world. And as someone who now lives in Chicago, the worst thing about dating in New York City is that you have to date in New York City, a place the incredibly obnoxious locals consider the best city in the world, despite endlessly clear evidence to the contrary. What is that evidence you ask? We’re not allowed to say, it should just be obvious.

5 – (p29) So, are you Bob, Jones, Edwin, Descartes, or Oscar?

BT: On a good day, I probably fall between Bob’s very dude-like thinking and Descarte’s wishfully intellectual approach to providing sound advice. But after three drinks I am very Oscar.


Five Questions There:

6 – Do you think Geoff and Jen will last past page 200?

BT: I hope so, it’s possible, even probable, but it will be hard for them until at least page 700 or so of the imaginary ongoing story I hope someone, somewhere is attempting to write, because by then they will know enough about themselves to really make it work.

7 - What was the best pickup line you had for a girl?

BT: I was never good at this, persistence and alcohol were always my strengths. But many years ago, my best almost line, meaning I said it to someone I hadn’t really seen in some time, but then didn’t actually follow-up on their surprisingly positive reaction was, “I apologize for staring at your breasts, but I can’t help myself, their amazing. Did they look like that when we used to know each other?”

8 – Do you consider yourself a writer of romance novels?

BT: I’m going to be borderline cheesy here, but I consider myself a writer of confusion and coping, and so in that way, yes, romance for sure, but also death, loss, compulsion, friendship, humor and sex as well.

9 – Have you ever thought of making this into a screenplay?

BT: Sort of. I’m always thinking about what else I might work on, and I know I would really enjoy doing something like this, but I think I need someone to want me to first, because there is too much to do otherwise that seems more likely to be successful. That said, I did pick my cast for the proposed movie version of the book per the request of the fine folks at StoryCasting.com - and so I am ready when, and if, the request comes.

10 – You are one of the funniest writers I know. Hit me with your best joke.

BT: First off thank you, that’s a big compliment, and just to confirm, it doesn’t take much more than that to get me into bed, so really, you’re in. I should say though, that I think of myself in more of the Patton Oswalt meandering funny storytelling vein. Wow, that was grandiose of me. But as not to avoid this further here is the first joke I ever loved and on some level the joke that probably impacts much of what I say and do: A guy wanders into a convention hall at a hotel he’s staying in and sits down after hearing everyone inside is laughing. A dude near him yells out, number 72, and everyone continues to laugh. The guy says to the guy next to him, what was that about? The guy next to him says, we’re comedians and this is our annual convention. Since we’ve memorized every joke we just yell out the numbers now. The guy says really, I can do that and yells out, number twenty-seven. No one laughs. Nothing. He looks at his neighbor, and says, what was that, no one laughed. The guy next to him says, yeah, well, it’s all in the delivery.

In ten words, describe your next project.

BT: Interns. Neighbors. Babies. Marriage. Work. Friends. And The Hold Steady.


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XKCD

Friday, July 9th, 2010

by Randall Munroe

___________________________________________________________

more at http://xkcd.com/

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